Wish your glaze results were more consistent?
Do you have these glaze challenges?
- You don’t know how much water to add to your glazes
- You get different results every firing
- Your glazes aren’t turning out as expected
- You can’t seem to keep your glaze thickness consistent
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You can fine tune your glazes with a few easy steps. All you need is a scale and a container and it’s super simple to adjust your glazes and keep them consistent.
Understanding Glazes and Studio Tips
Articles written by Sue McLeod
How to Measure Specific Gravity – Clay Week 2020
Here's a live demo of how to measure the specific gravity of your glazes so you can have more consistent results. Measuring specific gravity is a way to calculate and control the water content of...
12 Tips for Managing Glazes at a Busy Pottery Studio
Glaze Management 101. It’s a lot of work to run a school or community pottery studio. There are a lot of moving parts to look after. I’ve been a studio technician for 5 years now and it’s a very busy and rewarding job. As the technician, I’m taking care of all the behind the scenes…
How to Fix a Hard-Panned Glaze with Epsom Salts
Have you ever had a glaze settle into a rock hard layer on the bottom of your glaze bucket? It’s impossible to mix and even if you do get it mixed, it just settles out again. This annoying phenomenon is called “hard-panning” and it often happens to glazes that don’t have enough…
How the Water in Your Glaze is Affecting Your Results
Does any of this sound familiar? You unload a piece from the kiln and the glaze turned out perfectly! So you glaze more pieces with the same glaze combination, fire them, and they turn out completely different… OR… You mix a small test batch of a glaze and LOVE how it looks…
A Week in the Life of a Ceramics Studio Technician
What Does a Ceramics Studio Technician Do? Since 2015, I’ve been a ceramics studio technician at a community pottery studio. We run 14 classes per week for both adults and children. We also have an open studio drop-in program where 60 registered members can…
How to Make a Saturated Epsom Salt Solution to Flocculate your Glazes
Flocculate… What Does That Even Mean? You may have heard this term “flocculate” in reference to glazes and thought it was a funny word but you’ve never really known what it means. Or you may have been told what it means several times and still…
Getting Clarity with Clear Glazes
There’s nothing worse than a cloudy clear glaze muddying up your beautiful slip design, screen printed images or coloured clay. How can we make sure our clear glaze is always clear and prevent it from going cloudy? In this article, I’ll explain some of the factors that affect the…
What to Keep Track of in Your Glaze Journal
How Magic Becomes Science. Have you ever unloaded a BEAUTIFUL piece from the kiln and thought, “Gee, I wish I could remember how I did that”? A big part of glaze testing and advancing your understanding of glazes is record keeping. Whether you’re dipping test tiles or…
Different Styles of Test Tiles You Can Make for Glaze Testing
The word “test tile” can refer to any shape of clay that’s used to test glazes, slips, underglazes, engobes etc. Test tiles can be any shape you wish and can be made in a variety of ways. In this post, I’ll share lots of different examples of ways you can…
15 Tips to Get Started with Glaze Testing
I find ceramic glazes to be absolutely fascinating. I had no idea when I started working with clay that glazes would become the main focus of my life. Glazing was always an afterthought and I basically ruined most of my pieces by glazing them…
How to Calibrate Your Kiln Sitter for Accurate Firings
If you’re anything like me, then your first kiln wasn’t or isn’t going to be the digital programmable kind. Many of us start out with a manual kiln that we got second hand. I have 4 different sized kilns in my home studio and none of them are digital or programmable.
A Low Tech System for Recycling Clay Scraps
As clay artists, we’re so lucky that we can reduce the amount of waste we produce by reclaiming or recycling our unfired clay. When we make something that cracks, warps or doesn’t look how we wanted it to, we can reclaim our clay, bringing it back to its original state so…
How to Make a Good Kiln Wash to Protect Your Kiln Shelves
Kiln wash is a material that you can paint onto your kiln shelves. It looks very similar to a glaze when being applied. It acts as a barrier to prevent unexpected glaze runs or drips from ruining your shelves. Kiln shelves are made of a hard material that is similar to…
Temperature vs Heatwork – Why We Use Witness Cones
I receive a lot of glaze questions and the first question I generally ask in return is “What did the cones look like?” Knowing whether the kiln was over- or under-fired is important for diagnosing many glaze issues. Sometimes I’m told a kiln temperature in response. But…
How to Add Bentonite to a Wet Glaze
When I was in school and learning to mix my own glazes, I was warned: “Make sure you add bentonite to the DRY materials and mix them together BEFORE you add any water.” It was good advice. The reason for the warning is when bentonite gets wet it swells and gels and…
Technofile: Bentonite
Published in Ceramics Monthly – March 2020
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Originally published in March 2020 issue of Ceramics Monthly, pages 62-63. http://www.ceramicsmonthly.org
"Understanding Cone 6" - Pittsburgh 2018
My NCECA presentation Understanding Cone 6 is all about using glaze chemistry, the Unity Molecular Formula and the Stull chart to understand how different surfaces are created at cone 6.
Which glaze formulas are likely to be matte or glossy? Which ones are likely to be crazed or be under-fired? How does flux ratio impact fired results?
Understanding Cone 6 presentation slides and script are available as a free download!