A Blog about Ceramic Art and Science

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What to Keep Track of in Your Glaze Journal

What to Keep Track of in Your Glaze Journal

How Magic Becomes Science. Have you ever unloaded a BEAUTIFUL piece from the kiln and thought, “Gee, I wish I could remember how I did that”? A big part of glaze testing and advancing your understanding of glazes is record keeping. Whether you’re dipping test tiles or…

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How to Make a Good Kiln Wash to Protect Your Kiln Shelves

How to Make a Good Kiln Wash to Protect Your Kiln Shelves

Kiln wash is a material that you can paint onto your kiln shelves. It looks very similar to a glaze when being applied. It acts as a barrier to prevent unexpected glaze runs or drips from ruining your shelves. Kiln shelves are made of a hard material that is similar to…

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How to Convert Kaolin to Calcined Kaolin

How to Convert Kaolin to Calcined Kaolin

If you have too much clay in a glaze recipe, you might have issues with your glaze crawling during the firing. Crawling is where the glaze pulls away from the clay body due to a combination of shrinkage, poor adhesion and high surface tension.

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How to Make a Cone Pack

How to Make a Cone Pack

In this post, you’ll learn how to make a cone pack using pyrometric witness cones set into a coil of clay. Cones are important for measuring the heatwork of your firings.

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Temperature vs Heatwork – Why We Use Witness Cones

Temperature vs Heatwork – Why We Use Witness Cones

I receive a lot of glaze questions and the first question I generally ask in return is “What did the cones look like?” Knowing whether the kiln was over- or under-fired is important for diagnosing many glaze issues. Sometimes I’m told a kiln temperature in response. But…

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A Week in the Life of a Ceramics Studio Technician

A Week in the Life of a Ceramics Studio Technician

What Does a Ceramics Studio Technician Do? Since 2015, I’ve been a ceramics studio technician at a community pottery studio. We run 14 classes per week for both adults and children. We also have an open studio drop-in program where 60 registered members can…

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How to Calibrate Your Kiln Sitter for Accurate Firings

How to Calibrate Your Kiln Sitter for Accurate Firings

If you’re anything like me, then your first kiln wasn’t or isn’t going to be the digital programmable kind. Many of us start out with a manual kiln that we got second hand. I have 4 different sized kilns in my home studio and none of them are digital or programmable.

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99 Cone 6 Glazes You Can Try

99 Cone 6 Glazes You Can Try

Have you been looking for new glazes to add to your glaze palette? If so, I have 99 different cone 6 glazes you can try. That probably sounds like a lot to look through, but it’s really just 9 base glaze recipes plus 10 colour variations each.

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A Clay Reclaim Process Using a Pugmill/Clay Mixer

A Clay Reclaim Process Using a Pugmill/Clay Mixer

If you run a community studio or your personal studio is high production, you probably have a lot of clay scraps to deal with. This article will describe the clay reclaim process we use at the very busy pottery studio where I worked as technician for 6 years.

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Ceramic Glazes

What to Keep Track of in Your Glaze Journal

What to Keep Track of in Your Glaze Journal

How Magic Becomes Science. Have you ever unloaded a BEAUTIFUL piece from the kiln and thought, “Gee, I wish I could remember how I did that”? A big part of glaze testing and advancing your understanding of glazes is record keeping. Whether you’re dipping test tiles or…

read more
How to Convert Kaolin to Calcined Kaolin

How to Convert Kaolin to Calcined Kaolin

If you have too much clay in a glaze recipe, you might have issues with your glaze crawling during the firing. Crawling is where the glaze pulls away from the clay body due to a combination of shrinkage, poor adhesion and high surface tension.

read more
99 Cone 6 Glazes You Can Try

99 Cone 6 Glazes You Can Try

Have you been looking for new glazes to add to your glaze palette? If so, I have 99 different cone 6 glazes you can try. That probably sounds like a lot to look through, but it’s really just 9 base glaze recipes plus 10 colour variations each.

read more
How to Fix a Hard-Panned Glaze with Epsom Salts

How to Fix a Hard-Panned Glaze with Epsom Salts

Have you ever had a glaze settle into a rock hard layer on the bottom of your glaze bucket? It’s impossible to mix and even if you do get it mixed, it just settles out again. This annoying phenomenon is called “hard-panning” and it often happens to glazes that don’t have enough…

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Why I Use a Graduated Cylinder for Measuring Specific Gravity

Why I Use a Graduated Cylinder for Measuring Specific Gravity

I use a graduated cylinder for measuring specific gravity. A slender container is going to have smaller increments than a wide container, giving higher accuracy. You could compare this concept to using a scale with 1g increments vs 5g increments. The smaller measurement is…

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Why I Don’t Use a Hydrometer to Measure Specific Gravity

Why I Don’t Use a Hydrometer to Measure Specific Gravity

I didn’t always know about measuring specific gravity. Of the 10 years that I’ve been mixing glazes, I’ve only been measuring specific gravity for 3 of them. It wasn’t a technique I learned in school. But… I had heard about it enough times that eventually I used it to try…

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How to Measure Specific Gravity – Clay Week 2020

How to Measure Specific Gravity – Clay Week 2020

Here's a live demo of how to measure the specific gravity of your glazes so you can have more consistent results. Measuring specific gravity is a way to calculate and control the water content of your glazes. When the water content is consistent, application thickness...

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Studio Tips

The Air Bubble Myth

The Air Bubble Myth

There’s a common belief in ceramics that leaving pockets of air in your clay, either due to insufficient wedging or by creating an enclosed form, leads to explosions in the kiln. The belief is often communicated in these ways: “Poorly wedged clay containing air bubbles will explode…”

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A Potter With a Paycheque?

A Potter With a Paycheque?

This post is based on an email I sent out this past Fall about my journey from a struggling studio potter to starting my dream job as a studio technician to reluctantly growing out of that position and quitting my job in order to teach online classes full time.

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Don’t Skimp on Safety in the Glaze Lab

Don’t Skimp on Safety in the Glaze Lab

Most of our glaze materials come to us in their very basic, unprocessed form.  They are dug out of the ground, impurities may or may not be removed, they are ground into a fine powder, bagged and shipped to our suppliers. Working with these minerals in their raw state poses some health risks.

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Specific Gravity

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Glazy.org Demos

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