Online Classes and Workshops with Sue

Classes with yellow backgrounds are free!

 

What's Your Next Step on the Glaze Journey?

Watch this video if:
  • You know you want to learn more about glazes
  • You're not familiar with my 3 glaze courses
  • You're wondering which glaze course would be the next best step for where you're at on your glaze journey

You can read more about each course by clicking the links below. I hope to see you in one of my glaze courses soon!

Thinking about mixing your own glazes? Feeling nervous to take the plunge?

In this FREE CLASS, you'll learn what's involved, what you'll need, and how to set up your studio for glaze mixing success.

Join Sue McLeod for a behind-the-scenes look inside her glaze mixing lab and discover:

✅ What tools, equipment, and safety gear you’ll need to start mixing your own glazes from scratch

🧰 How to set up your studio for safe, efficient, and organized glaze mixing

💡 Whether mixing your own glazes is the right next step for you — including the benefits, costs, and creative opportunities it brings

If you're considering making the switch to mixing your own glazes, this class will give you the clarity and confidence to take the leap.

Price: FREE!

Glaze Mixing Essentials

Create your own unique palette of custom glazes by learning to mix glazes from scratch in this online course.

Glaze mixing is a foundational skill for any serious potter who wants to make pots that have their own signature style. By the end of this class, you'll know how to safely mix and alter the colour of any glaze recipe, for any temperature. You don't need a large studio or any scientific background to take this next important step in your glaze journey.

You'll get instant, lifetime access to the course when you register, plus an invitation to my monthly membership - The Glaze Lab - for extra support.

Price: $197 USD

What Do the Glaze Materials Do? workshop

This workshop will teach you the role and function of your glaze materials. This is an intro to glaze chemistry, which opens up a whole world of ceramic possibilities like substituting materials and developing your own glaze recipes.

If you mix your own glazes but have no idea why each material is included in the recipe, don't you think it's time to learn? Knowledge is empowering. Even if you think it will be too complicated, I have a way of explaining these things that makes it simple to understand.

90 Days Access.

Price: $57 USD

Mastering Glaze Consistency

Learn how to get the best glaze results possible with your existing glazes, and repeat those results from firing to firing in this online course.

My step-by-step testing system will help you improve the consistency of your glaze application and results, and will fix many glaze flaws like running, crawling, peeling, glazes turning out the wrong colour, cloudy clears etc.

Price: $397 USD / $495 CAD

Next registration opens January 14, 2027. Join the waitlist.

The Art of Glaze Chemistry

Learn how to use glaze calculation software to analyze your glaze recipes and adjust melting temperature, change surfaces between matte, satin and glossy, and fix glaze fit issues like crazing/shivering/dunting.

Explore how base glaze composition affects colourants so you can design the unique glaze palette you've been wishing for.

This course takes a super deep dive into the science behind glaze composition so you can develop the best glazes for your work. No previous chemistry knowledge required.

Price: $597 USD / $795 CAD

Next registration opens Spring 2027. Join the Waitlist.

Free Guide

Do you have these glaze challenges?

  • You don't know how much water to add to your glazes
  • You get different results every firing
  • Your glazes aren't turning out as expected
  • You can't seem to keep your glaze thickness consistent

Grab my FREE GUIDE

You'll start understanding your glaze results better when you measure specific gravity. It just takes a few simple steps to calculate the water content of your glazes and then it's easy to keep them consistent. No more guessing!

Consistent water content = consistent application thickness = consistent results.

Sue’s Ceramics Blog

Articles and videos about clay, glazes and studio tips, written by Sue McLeod

Testing Pencil Crayons at Cone 6

Testing Pencil Crayons at Cone 6

Writing information on test tiles I do a lot of glaze testing, which requires me to write testing info on my small test tiles. When I first started out, I used red iron oxide mixed with water and a...

Exploring One Glossy Glaze with Many Colours

Exploring One Glossy Glaze with Many Colours

Create a palette of compatible glazes When you first start mixing your own glazes, it can be overwhelming to decide on which glaze recipes you’re going to use. There are so many! There are literally...

Exploring Iron Reds and Fast Cooling Cycles

Exploring Iron Reds and Fast Cooling Cycles

Randy’s Red - A classic glaze recipe “Randy’s Red” is a recipe that has been around for a long time. I’m not even sure who the original “Randy” is. This glaze was one of the staple studio glazes at...

How to deal with glazing tong marks?

How to deal with glazing tong marks?

Question: When using tongs, what is a reliable method for covering the small holes left behind in a way that doesn’t show as a different color in the fired piece?

Can I speed up my kiln’s cooling cycle?

Can I speed up my kiln’s cooling cycle?

How can I speed up my kiln's cooling cycle? Question: “What can we do to make big kilns cool down faster? Keep the door slightly open at a certain temperature?” There isn't really a practical way to...

Why does my kiln fire unevenly?

Why does my kiln fire unevenly?

Why does my kiln fire unevenly? Question: “Why do I get different results on my cone pack based on which shelf-- top, middle, or bottom-- the pack is located?” Our kilns tend to fire unevenly and...

Sodium silicate turned my glaze into thick sludge

Sodium silicate turned my glaze into thick sludge

Can you save a glaze that has turned to pudding after adding too much sodium silicate? Question: I added way too much sodium silicate to two big buckets of glaze. They were too thick and water...

If your glaze freezes, is it still ok?

If your glaze freezes, is it still ok?

What happens when glazes freeze? Yeah, freezing is fine. You would definitely want to high speed mix your glaze after it has frozen, but freezing just affects the water. I would high speed mix and...

The stir test – how homogenized is your glaze?

The stir test – how homogenized is your glaze?

Are you stirring your glaze for long enough? “When you said in the stir test, 10 Seconds. 30 seconds. 60 seconds of stirring. Are you talking about high speed mixing or just hand mixing?” In my free...

Does a lower bisque temp = more pores?

Does a lower bisque temp = more pores?

How temperature affects the porosity of our bisque We start with bone dry greenware, which is porous. So all the water - the physical water - has evaporated from the clay body before the bisque...

12 Tips for Managing Glazes at a Busy Pottery Studio

12 Tips for Managing Glazes at a Busy Pottery Studio

Glaze Management 101. It’s a lot of work to run a school or community pottery studio. There are a lot of moving parts to look after. I’ve been a studio technician for 5 years now and it’s a very busy and rewarding job. As the technician, I’m taking care of all the behind the scenes…

A Week in the Life of a Ceramics Studio Technician

A Week in the Life of a Ceramics Studio Technician

What Does a Ceramics Studio Technician Do? Since 2015, I’ve been a ceramics studio technician at a community pottery studio. We run 14 classes per week for both adults and children. We also have an open studio drop-in program where 60 registered members can…

How to Calibrate Your Kiln Sitter for Accurate Firings

How to Calibrate Your Kiln Sitter for Accurate Firings

If you’re anything like me, then your first kiln wasn’t or isn’t going to be the digital programmable kind. Many of us start out with a manual kiln that we got second hand. I have 4 different sized kilns in my home studio and none of them are digital or programmable.

What Glazes Can You Make with Limited Materials?

What Glazes Can You Make with Limited Materials?

When you start looking for glaze recipes and have a limited number of materials on hand, you may find that you have almost (but not quite) all the materials for a million glaze recipes, but you can’t find a recipe that only uses the materials you currently have.

Glazy Demo – Adding Recipes and More

Glazy Demo – Adding Recipes and More

Do you use Glazy.org to store/share your glaze recipes? If you’re just hearing about Glazy for the first time, you should definitely go check it out. It’s a ceramics recipe website that allows you to store recipes with photos, share them with the community and analyze the chemistry/UMF of your glazes, all in one place.

Why I Use a Graduated Cylinder for Measuring Specific Gravity

Why I Use a Graduated Cylinder for Measuring Specific Gravity

I use a graduated cylinder for measuring specific gravity. A slender container is going to have smaller increments than a wide container, giving higher accuracy. You could compare this concept to using a scale with 1g increments vs 5g increments. The smaller measurement is…

Publications

Technofile: Well-Mixed Glazes

Published in Ceramics Monthly - Apr 2026

Click here to read the article!

Originally published in Apr 2026 issue of Ceramics Monthly, pages 58-60. http://www.ceramicsmonthly.org. Copyright, The American Ceramic Society.

Technofile: Temp vs Heatwork

Published in Ceramics Monthly - Nov 2024

Click here to read the article!

Originally published in Nov 2024 issue of Ceramics Monthly, pages 54-56. http://www.ceramicsmonthly.org. Copyright, The American Ceramic Society.

Technofile: Calcining Kaolin

Published in Ceramics Monthly - Sep 2024

Click here to read the article!

Originally published in Sep 2024 issue of Ceramics Monthly, pages 58-59. http://www.ceramicsmonthly.org. Copyright, The American Ceramic Society.

Technofile: Clear Glaze Clarity

Published in Ceramics Monthly - Apr 2024

Click here to read the article!

Originally published in Apr 2024 issue of Ceramics Monthly, pages 58-61. http://www.ceramicsmonthly.org. Copyright, The American Ceramic Society.

Technofile: Matte to Glossy

Published in Ceramics Monthly - Jun/Jul/Aug 2023

Click here to read the article!

Originally published in Jun/Jul/Aug 2023 issue of Ceramics Monthly, pages 58-59. http://www.ceramicsmonthly.org. Copyright, The American Ceramic Society.

Technofile: Test vs Large Batch

Published in Ceramics Monthly - Oct 2022

Click here to read the article!

Originally published in Oct 2022 issue of Ceramics Monthly, pages 86-87. http://www.ceramicsmonthly.org. Copyright, The American Ceramic Society. Reprinted with permission.

Technofile: Air Bubble Myth

Published in Ceramics Monthly - Apr 2021

Click here to read the article!

Originally published in April 2021 issue of Ceramics Monthly, pages 54-55. http://www.ceramicsmonthly.org. Copyright, The American Ceramic Society. Reprinted with permission.

Tips and Tools: The Kiln Sitter

Published in Ceramics Monthly - Nov 2020

Click here to read the article!

Originally published in Nov 2020 issue of Ceramics Monthly, pages 60-61. http://www.ceramicsmonthly.org. Copyright, The American Ceramic Society. Reprinted with permission.

Technofile: Hard Panned Glazes

Published in Ceramics Monthly - Oct 2020

Click here to read the article!

Originally published in March 2020 issue of Ceramics Monthly, pages 90-91. http://www.ceramicsmonthly.org. Copyright, The American Ceramic Society. Reprinted with permission.

Technofile: Bentonite

Published in Ceramics Monthly - March 2020

Click here to read the article!

Originally published in March 2020 issue of Ceramics Monthly, pages 62-63. http://www.ceramicsmonthly.org. Copyright, The American Ceramic Society. Reprinted with permission.

teapot by Sue McLeod
500 teapots volume 2 cover

"O La Fuente"

by Sue McLeod

Published in 500 Teapots - Volume 2

Page 257

"Understanding Cone 6" - Pittsburgh 2018

My NCECA presentation Understanding Cone 6 is all about using glaze chemistry, the Unity Molecular Formula and the Stull chart to understand how different surfaces are created at cone 6.

Which glaze formulas are likely to be matte or glossy? Which ones are likely to be crazed or be under-fired? How does flux ratio impact fired results?

Click here to read or watch/listen to this presentation on my website.

Understanding Cone 6 presentation slides and script are also available as a free download!