Has this ever happened to you? You mix up a test batch of a new glaze, dip a test tile and you like the result, so you mix up a large bucket, dip a test tile and your results look nothing like your test batch?
If you run a community studio or your personal studio is high production, you probably have a lot of clay scraps to deal with. This article will describe the clay reclaim process we use at the very busy pottery studio where I worked as technician for 6 years.
In this post, you’ll learn how to make a cone pack using pyrometric witness cones set into a coil of clay. Cones are important for measuring the heatwork of your firings.
This post will give you an idea about the differences between commercial glazes and mixing your own from cratch.
There’s a common belief in ceramics that leaving pockets of air in your clay, either due to insufficient wedging or by creating an enclosed form, leads to explosions in the kiln. The belief is often communicated in these ways: “Poorly wedged clay containing air bubbles will explode…”
What Does a Ceramics Studio Technician Do? Since 2015, I’ve been a ceramics studio technician at a community pottery studio. We run 14 classes per week for both adults and children. We also have an open studio drop-in program where 60 registered members can…
As clay artists, we’re so lucky that we can reduce the amount of waste we produce by reclaiming or recycling our unfired clay. When we make something that cracks, warps or doesn’t look how we wanted it to, we can reclaim our clay, bringing it back to its original state so…
